Midi multiclock generator#

The Multiclock outputs four channels of MIDI, DIN or analog clock for synchronization.

The fit and finish was also praised by our reviewers, which should be a nice pat on the back to E-RM, a small German manufacturer. First off, the build quality was cited by each of our reviewers as “excellent” and “substantial.” With a metal chassis, “beefy rubberized knobs,” clear silk-screening and a high-contract LED monochrome screen, the Multiclock is all business. Now they could have left well enough alone with this simple feat, but they decided to add a couple of creative features, which turns the Multiclock into a “surprising amount of fun,” according to one of our reviewers.īut before we get to the creative facets, let’s take a deeper look at the Multiclock. E-RM aims to do this for your MIDI, DIN and analog pulse sync gear, by providing their singular clock tech to accurately marry all your gear, no matter what the vintage. When setup correctly, the results can be striking, just see our Black Lion Audio Microclock III review to learn more.

Midi multiclock generator#

For example, sophisticated studios all employ a single, dedicated Word Clock generator to accurately lock digital gear, which depends on sample accurate data. This is very important to understand and if you’re familiar with Word Clock, the concept is similar. E-RM states that it “guarantees absolutely tight clock signals with ☑ sample of jitter” and our reviewers found the Multiclock did maintain a “stable and reliable sync, even when burdened with multiple devices running different sync tech.” E-RM achieves this by delivering its timing via Audio Sync Track, instead of a MIDI Clock signal, thus when installed in your kit, the Multiclock becomes the de facto clocking source, not your DAW. The Multiclock builds on E-RM’s first product, the Midiclock, in several ways, but the core competency of providing solid MIDI Clock, DIN Sync (Sync24) and analog clock pulses is where everything begins.